Sculpting a new brand identity

To help us transform complex financial documents into something both beautiful and meaningful, we turned to design giant Stephen Doyle of Doyle Partners.

Our client, Waldron Private Wealth, services ultra high net worth individuals and family offices by providing the multiple skill sets needed to efficiently manage significant wealth, simplifying their clients’ lives. However, the way they organized their services as well as their messaging had become overly complex. We helped them refine both to fully embody their revised tagline, “Simplifying wealth. Simplifying life.”

We immediately thought of Stephen’s sculptures as a way to communicate the story we needed to tell: Waldron takes on all the complexity of wealth so you don’t have to. Our first step was to wade through the various tax, legal forms and contracts that comprise the financial world. Armed with thousands of jargon-laced documents, along with an array of news and market headlines, Stephen worked to create a purely chaotic form. The result: a truly uncomfortable visual experience showing how all of the messages, data and information—positive, negative, often conflicting and always confusing—play on investors’ psyches.

The answer to that emotional chaos, a second sculpture—representing Waldron’s clear and transparent processes—was created. The perfect summation of all that Waldron does, it shows the chaos of the first structure organized and simplified into a beautiful and pleasing polyhedron star. The form is balanced, symmetrical, open and simple, yet beautifully complex—the exact visualization of what Waldron provides.

Supporting image for the blog entry, Sculpting A New Brand Identity, shows a complex shape and an organized shape represented by abstract paper sculptures.

We also wanted to represent not just the end result of crystalline clarity, but the way Waldron experts, in so many disciplines, function as a truly integrated team.

We mused over mobius strips (does that say integration or infinity?) and even more complex-yet-organized polyhedron shapes that interconnect (will that be too similar to our star?). For a past project, Stephen had created a simple star-like shape out of intersecting Eames cards, which led us to think about a freestanding structure created out of interlocking planes. The final piece uses whole Waldron documents representing disparate disciplines, literally integrated with one another. This may be my favorite of the suite.

For the blog entry, Sculpting A New Brand Identity, this image shows the creative stages of brainstorming, the idea, and the final finished paper sculpture.

These intricate and painstakingly built sculptures transformed the way I think about wealth—I hope they’ll do the same for you. Check out the finished products (and more of Doyle’s sculptures) here.

Gold award from NAHB’s National Sales and Marketing Council

EYA and Grafik took home a 2015 Gold Award from NAHB’s (National Association of Home Builders) National Sales and Marketing Council for their animated brand video “A better place to call home.” Congratulations to the entire EYA team, specifically Bob Youngentob, Preston Innerst and Jennifer McIvor, as well as Grafik team members John Vitorovich, Efrat Levush, Hal Swetnam, and the animation crew at Giant Ant.

Watch the video here.

Visual content: Part 7 — Vine

Learn how some of the top brands are leveraging Vine to visually tell their brand story.

Swift domination

For many brands social media is seen as the golden ticket to increase brand awareness far beyond their inner circle. Although many are active on social media, most find they don’t receive the traction or conversion rate that they expected. Brands fall into the trap of not controlling their own brand narrative. Partnerships are formed for immediate gratification or to boost sales without considering the long-term strategic value that the partnership will provide to both parties. They struggle to make their brand authentic, approachable, relatable, and relevant to their target audience. Many are too focused on short-term sales leaving the opportunity to build a long-term loyal fan base left at the wayside. And one of the biggest mistakes is not consistently adding value, incentivizing, or rewarding customers for continuing to stay engaged with your brand, which limits the likelihood of the consumer building a lifelong relationship with your brand.

At a time when most marketers struggle to break through the noise, Taylor Swift has effectively leveraged marketing and social media to expand her network since her humble beginnings on Myspace. Her 12 million Instagram followers, 46 million Twitter followers, and “1989” album sales that are projected to sell more than 1.3 million copies by Sunday, are redefining what success can look like in a world with Spotify and Youtube.

Repositioning your Brand: When Swift received negative publicity surrounding her private life during her media tour for her previous album, she took control of her personal narrative from the media. She stopped dating and made sure that, moving forward, the quality of her music would be what she’s known for and not how many men she has dated.

Rewarding Brand Advocates: Taylor handpicked hundreds of fans to meet with her in her various homes to listen to her entire album before it was released during the “1989 Secret Sessions.” She even baked for them—the fans lost their minds.

Building Partnerships:

  • Target: Continuing her long-term partnership with Target, the “1989” exclusive deluxe version included three extra songs, a handful of Polaroids of Swift with her handwritten lyrics on the bottom, and three voice memos stripped from her iPhone to show different kinds of songwriting processes. She also promoted herself, her friends, and her fans buying the album at Target on social media.
  • New York: With the release of the track “Welcome to New York,” Taylor was officially deemed the “Global Welcome Ambassador” (unpaid) by NYC & Company for the city and all proceeds of the song will also go to NYC public schools.
  • Diet Coke: In harmony with Diet Coke’s current campaign, Taylor showed what her life would look like if it tasted as good as a Diet Coke. The ad included a clip of “How You Get the Girl” which was unreleased at the time the ad first aired. The plug ends with her cat Olivia and a CTA for “1989” sealed the deal.

Leveraging Social Media:

  • Tumblr: Before the release of “1989,” Taylor joined Tumblr. She has shared everything from general updates, recipes, animated GIFs of her and her friends, photos and videos of her cats Olivia and Meredith, and fan-generated content.
  • Twitter: Taylor tweeted the release of several songs in the weeks leading up to the album release available on iTunes with world trending hashtags like “#5HoursUntilOutOfTheWoods.” Taylor is now sharing user-generated content tagged “#Taylurking.”
  • Instagram: Taylor amplified the impact of her tweets with self-generated photos and handwritten lyrics. Her feed is full of backstage photos, images of her friends and family, and candid photos with fans from the “1989 Secret Sessions.”

The beauty of her marketing is that every piece feels completely authentic, relatable, and effortless. The various mediums of snackable content certainly contribute to her success but the real value is in the strategic, controlled release of intimate details about herself, her life, and inviting fans to be an active part of her story. That is what has allowed fans to emotionally connect with her and form a devoted network that consistently moves the needle.

Storyscaping with apps

Nike effectively incorporated storyscaping (story + value + experience) into their new app, Nike SB, allowing them to infiltrate a new market. The app allows new and experienced skateboarders to learn new tricks, upload their own content, show off their skills, and share their tricks with other skaters all over the world. To read the full article click here.

Looking for the perfect name?

We’ve been doing a lot of naming over the past few months—enough to keep several of us up at night. It’s a pretty tricky business, after all. It always has been. And while many organizations are determined to develop options internally, naming is not for the faint of heart. Without a clear strategic approach, it can quickly become unfocused and unmanageable.

Of course, as naming experts, we would always recommend having an objective partner to support the effort. But because you may insist on working without a net, here are a few questions to consider. If you can answer yes to all four, then your new name may be a winner.

1. Does the name fit your brand?

Choosing a name that has clear and creative association with your company is pretty essential. Think about some of your favorite brands—what they offer, what they stand for—and you realize just how perfectly the name fits.

Amazon, the world’s largest online retailer, is named after the world’s most voluminous river. A leading manufacturer of construction equipment got its name when a photographer mentioned how much he thought their tractors looked like giant caterpillars. And when two ex-Apple execs created a company focused on personalizing humdrum home products like thermostats, they opted for a warm and fuzzy name. They called it Nest.

These are smart names because they’re sticky. They help to convey the value, the uniqueness, or the intention of the brand. Be sure to keep this in mind as you develop options. The right name will be the one that makes it easier for anyone to understand why your company is different.

2. Does it fit your audience?

Make it easy for future brand loyalists to adopt your name. If you want them to fall in love with your brand (or your product), you need to be lovable. Plenty of businesses forget this, and wind up making costly mistakes. Enthusiasm may already have been waning for Palm, for example, but naming its new webOS phone, Pixi, certainly didn’t help matters. How many executives do you know that want to carry a Pixi?

Founders of the hip new clothing store, Hot Mama, believed women would love the name but they quickly learned that most shoppers thought they only sold maternity dresses.

Fact is, it’s pretty easy to become very excited about a name, and without an objective voice in the room, it can be hard to make the right decision. Dan and Chip Heath reported in Fast Company that there were many at Intel who though ProChip was a better name than Pentium, and some at P&G who preferred EZmop to Swiffer. Fortunately, sounder minds prevailed.

The key here is to be thoughtful and very strategic when you’re choosing a name. It’s important to listen to your gut, but be sure your head is in full agreement.

3. Will it still be the right name in five or ten years?

Today, you’re selling one thing only—focus is the name of the game, after all. But what happens when your business takes off and you want to expand? Will your name make it more difficult for people to understand your focus or your value?

Digital lifestyle publisher, Glam Media realized their focus on women meant they were ignoring 49% of the potential audience. When they reworked their business model, a name change was critical. Today, Mode Media is reaching a significant number of men. More recently, New Zealand’s biggest communications company, which was simply called Telecom, determined that name had nothing at all to do with the digital technology services it was now offering. Starting in August, it will be known as Spark.

There may be plenty of good reasons—strategic and financial—to go through a name change somewhere down the road, but typically, that’s a very expensive proposition. The only exception to that may be for those who realize their mistake early on. In 1997, few people had ever heard of a search engine called BackRub, so it was a relatively easy (and cheap) decision to change the name to Google.

In short, it’s best to take a little extra time up front to consider where you want your company, or product, to go. Having those conversations now will help you choose the name that lasts.

4. Is the name really unique to your category?

While it’s obvious to all of us that Dove Soap and Dove Chocolate are two entirely different companies, the difference between hotels named Hyatt and Haiyatt is not as clear-cut. Confusion between your new name and a well-established brand may be intentional on your part, or purely coincidental, but either way, it will cost you. After investing considerable time and budget to build equity in their names, most brands are quick to go after copycats—even before there’s a chance for confusion.

Swatch, for example, has been very outspoken about their trademark on iSwatch, and just how similar the name is to Apple’s proposed iWatch. There have been rumors that the two companies are now working closely together, but that partnership might not have formed without Swatch’s aggressive stance.

And what about names that aren’t quite so similar? With trademarks, it’s always better to stay clear of any names that sound like other players in your industry. Last year, a Florida judge granted an injunction against FIT U healthclubs because the name and business model was so similar to rival, YouFit. And more recently, the folks at Mission Burrito lost a lawsuit with Mission brand tortillas.

The lesson here is a simple one: Do your homework, search the market, and vet your name with a good trademark attorney.

Remember, if you can check all four boxes, then you’re on the right track. If you need a little help—a partner to get you on strategy, keep you focused, and drive you to the best option—you know where to find us.

Rebranding a startup for market entry

Working with a startup is always an exciting exercise and our collaboration with Carsquare, an automobile meta-search engine, was no exception. Carsquare, like many startups, was founded in the proverbial “garage”. They focused all of their initial resources on software development, and once the company received their initial round of venture funding, they recruited Grafik to create a consumer-facing brand.

Over the past five months the Grafik team has worked with the founders’ to ensure their innovative thinking transforms the market. The mantra we developed, ‘Search them all. Find the one.’, encapsulates the product’s dual strengths, a uniquely robust platform and a customized user experience. By incorporating a magnifying glass into the logo, we reinforce the notion that—in one place—consumers can now see cars from all of the top automotive sites, access reviews and advice, and save the results of their searches.

Since Carsquare is a meta-search engine, brand experience is directly intertwined with the website’s functionality. Our designers created a simple and seamless user experience that features new capabilities including garage bays to save search results, articles and videos about the car buying process and comment sections. While implementing the latest tools we equipped them, and the entire site, for search engine optimization and search engine marketing.

To turn the brand experience into a reality we crafted a digital marketing strategy, and with a limited budget we maximized our return on investment by deciphering which targeting methods were most effective at reaching people in the car buying process. We also aligned the brand across social media platforms.

Already, our strategy has led Carsquare to exceed monthly goals and has positioned this startup as one to watch. Continue to follow Carsquare as it disrupts the status quo and accelerates down a new road in the automotive search market.

Branding loss and hope

As brand strategists, we feel a heavy responsibility to unearth—and then communicate—the essence of a product and service. And as we go through the process, what emerges from a myriad of choices is a feeling captured in images and words and colors and a specific tone. Our canvases are typically the web and all that can be poured into it—videos and infographics and text for sites, abbreviated versions of same for social media and its accompanying invitation to respond and re-post—ephemeral physical locations like trade show booths and sales offices; outdoor signage; broadcast; and traditional print collateral.

But what if all that were also bound up in a permanent physical space? What if we added architecture to the mix? And what if the “product” was how we see ourselves as a country and how we memorialize—as we must—a truly gruesome event?

Reading Adam Gopnik’s New Yorker piece “Stones and Bones: Visiting the 911 Memorial and Museum”, I was struck both by how difficult and how familiar was the task he described. It is no accident that it was published in the issue that dropped 4th of July week; it is about how we think of ourselves as a nation, how we write our history, and yes, how we brand ourselves. Mr. Gopnik’s deconstruction of all the elements is impressive; his writing superb. Here’s a link: http://www.newyorker.com/reporting/2014/07/07/140707fa_fact_gopnik.

Brand evolution in the era of the enlightened consumer

Evolving a brand is not always a simple undertaking. It’s not just navigating clients through the process. Regardless of the project, brand marketers are becoming increasingly astute at understanding what I call “The Enlightened Consumer.” This consumer is exceedingly conscious of marketing and takes their relationships with brands very personally.

As these relationships become more complex, so do the ways in which we bring brand experiences to our audiences. Keeping in mind that the Enlightened Consumer (EC) is on a journey with your brand, what do you want them to say to you and to each other? How do you want them to feel and how do you retain and grow consumer bases as brands evolve?

A few things to consider:

1) Delivery: The EC appreciates thoughtfulness in the media choices and timing of brand rollouts. Also, ECs today (especially Millennials, but increasingly all ECs) demand unique content across their desired social media platforms and often view several social media sites simultaneously via dashboard apps. What works on one network simply may not on another.

2) When to Change and How Often: The EC recognizes even the smallest brand shifts, so be careful how frequently colors, logos, and messaging are updated. Also, be aware of when a refresh may be in order. Is there news to communicate? A merger or acquisition? Is there a need to further emphasize a parent brand over an extension? Then the time may be right.

3) Impact and the Anticipated Result: In modifying a brand, very clear expectations should be established for what happens after a new identity is revealed. Sometimes, the EC likes a big entertaining rollout and sometimes the EC just wants a deeper understanding of what’s happening with your brand. Having an eye on the endgame and what you need to accomplish is key in the relationship. Otherwise, the EC is left saying, “now what?”

4) Effectiveness: Always make sure the change is for the better (or else it’s not an evolution)! Establish metrics for success and don’t be afraid to test pre-, mid-, and post-development to make sure you’re on the mark.

Being mindful of the EC as you enter a rebrand can dramatically impact the successful launch of a new brand and ensure you retain your current consumers as you move forward.

Microsoft, brand, and a new CEO

A new brand study by Forrester Research seen in the January 8 issue of Computerworld,  reports that Microsoft has recently come out on top in a poll of ten consumer technology firms. They are followed closely by Apple, Sony, and Samsung. This ranking surprised even the Forrester analysts who assumed Apple would be on top. With the struggles since Jobs’ death, and the perception that Apple is lagging behind Samsung in the innovation game, Microsoft was able to jump over its nemesis.

Forrester surveyed 4,500 adults in August 2013 and attributed Microsoft’s number one position to a higher score in what consumers deem to be essential to their everyday lives; Windows and Office are so much a part of the workspace allowing Microsoft to best Apple in this one critical category. Forrester states that Microsoft possesses “utilitarian essentiality, not the kind of emotional essentiality that Apple relies on.” This may have to do with a new strategic direction Microsoft has taken as part of a major restructuring of the company last year. Rather than continuing to predominantly support its products’ brands, they launched a campaign “One Microsoft” last year, “rallying behind a single strategy as one company—not a collection of divisional strategies.” With the departure of Steve Ballmer imminent, it will be interesting to follow if Microsoft’s CEO search choices reinforce their new brand position.

Microsoft has been looking for a new CEO ever since Steve Ballmer announced four months ago that he would retire in 2014. According to a report in the Motley Fool, the company has interviewed over 100 candidates, and while it had courted Ford CEO, Alan Mulally, he has recently taken his name out of consideration. This, according to a report on NPR’s  All Tech Considered, is a major blow to the search team that has been looking for a more strategic, polished CEO to reflect where Microsoft is headed as a company rather than promoting a technologist from within its ranks. (By the way, for an amusing diversion, check out the polling at nextmicrosoftceo.com or place a bet on any of the offshore gambling houses that are making odds on who the next CEO will be.)

Black and white photo of Steve Ballmer

Every CEO should be the prime embodiment of the company brand. Successful CEOs like Bill Gates and Microsoft, or Steve Jobs and Apple, were able to make their own personas indistinguishable from their company’s brand, so much so, that the Microsoft brand was viewed as a technology brand with a strong overlay of “geek” compared to the ultra-hip design-focused aura of Apple (think Steve Jobs in a black turtleneck). These two charismatic leaders were the ultimate brand creators/ambassadors. So what happens when a company has to change CEOs? How does the loss of a visible CEO affect a brand? We have seen a drop in the Apple faithful with Tim Cook at the helm, and while Steve Ballmer made strides at Microsoft, he is no Bill Gates. Those CEOs who deign to act as brand ambassadors risk comments like those from Forrester analyst, Celia Stokes, “Brand is something Samsung should be thinking about, too. I am hard pressed to know what the Samsung brand actually stands for.”

With Microsoft failing in the tablet and the mobile phone space, and increasingly losing ground to alternative forms of computing, the company needs to regain a leadership position in the technology space. As this report noted, “…they’ve been missing a lot of the creative and innovative aspects that Microsoft has really kind of dominated at in the past. And they’ve become kind of a fast follower in the space.” Going down the same old path, promoting a CEO from within may not yield the kind of leader needed to change the course of this the tech giant.

Financial planning: why customer experience matters

I counsel a lot of financial services clients, and in that regard I have to keep up on the various trades, InvestmentNews, Private Wealth on practice management, the movement to and fro of warehouse brokers to RIAs, and the occasional marketing column.

As I was reading my copy of ThinkAdvisor, I came upon a wonderful article by Michael Kitces that discusses why meeting with financial planners is compared to “a blend of a dental exam, a math class, and marriage therapy.” It contrasts the experience a person will have in a Build-A-Bear workshop to that of meeting with a financial planner. And while this article is especially germane to the world of financial planning, it makes excellent points for any service industry and merits a read.

1. Some of the key points that Kitces makes is that meeting with a financial planner should be a client-centric experience, and instead it becomes advisor-centric. Clients are asked to come prepared by organizing all of their assets—this is often one of the hardest parts of the exercise—collecting and sorting through papers, financial statements and investments. Kitces asks why the organizing process is not made part and parcel of the advisor’s service model. It makes an advisor a hero to assist in this thankless task, and probably helps get reluctant clients through the door. I think of so many service professionals that could heed this advice—to examine a new clients’ anxiety and see how best to relieve it. Forcing a client through a difficult process without considering their needs is unnecessary.

2. The delivery mechanism for client requests has to be thought through more, and using technology could help ease the burden. Instead of sending duplicate mounds of printed materials every time a request is made, advisors could use technology to do virtual meetings with clients using Skype, FaceTime or Google Talk. This would allow a client to explore different scenarios with a virtual advisor, and would save multiple trees in the process. One of the recurring complaints I often hear when interviewing advisory clients is that they are overwhelmed by the amount of material to read and wish they were not sent so much.

3. The client experience matters. This is true of every service brand. When you are selling advice, the delivery of that advice is critical. And the client experience is shaped by a whole host of things—from providing free parking coupons and good coffee to delivering advice in a professional compelling manner. How many advisors present illegible charts, confusing graphics, or jargon-laden sermons instead of finding ways to engage listeners on their level? And how many advisors fail to respond to requests on a timely basis or are not proactive in contacting existing clients? The client experience is becoming increasingly important in financial services and Kitces puts it eloquently, “The simple reality is that customized, individualized personal financial advice delivered by a professional with extensive education and experience just isn’t much of a differentiator anymore, but having a fantastic client experience is. Although we’re likely a long way from financial planning services becoming fully commoditized, there is nonetheless a rising challenge to maintain differentiation.”

Kitces inherently understands that brand building in the professional services arena can not ignore service as perhaps the key component. While marketing can elevate a brand, and can to some extent reposition it, an excellent customer experience will make a brand memorable.

Rebranding the Redskins

Ok, let’s just take it for granted that I find the Redskins name odious. I think that Bob Costas put it best during last Sunday’s game between Dallas and our home team. So I am not going to talk about that here.

Now what really really has my blood boiling is the logo design contest that is being run by the “San Francisco design firm” 99designs. First of all, 99designs is not a design firm—they are an aggregator that run logo contests where freelance designers can enter designs with the hope that one of their designs will be chosen and they will be paid the princely sum of $200–$2,000. In fact on their homepage, they crow about the fact that for just $714 they received 1,887 designs from 347 designers for the Redskins logo. So much is wrong with this statement that I do not know where to begin. I should be clear from the start that the Redskins organization did not start or sanction this contest. No, designers are doing a great job of shooting themselves in the foot.

1. Let’s start with the fact that Dan Snyder runs one of the most profitable football franchises in the nation. According to the Forbes list of NFL team valuations, it is valued at $1.7 billion as of August 2013. One hopes that should he decide to change the name and therefore the logo, he will not stoop to putting this through a contest. And let’s also remember that he will rake in millions of dollars from merchandising the mark. Should designers give him a logo at a cut rate? You decide.

2. In the logo contest sponsored by 99designs, the winning names were one of the  following: Washington Warriors, the Washington Renegades and the Washington Griffins.

• The Washington Warriors designed by Mixaurus is a very fitting name for the football team in the U.S. Capital. Really? And how do you think that name will play overseas? Think the State Department or the Defense Department will like that one? And does anyone else find that this reminds them of the Pentagon’s 911 memorial logo?

Washington Warriors Logo

• The Washington Renegades. Do you suppose that is referring to the Tea Party elements in the recent budget negotiations?

Washington Renegades Logo

• The Griffins?! Really?! Well, I guess it goes along with the Wizard theme

Washington Griffins Logo

3. The creative brief given to the hordes of designers that entered is a great example of why you should never ever go to an organization that cares less about delivering up a quality brand, and more about generating buzz. “The Washington Redskins are a professional American football team based in Washington, D.C. They’ve won 5 NFL Championships, 13 NFL divisional titles, and 6 NFL Conference Championships – so they’re kind of a big deal. ….Our goal with this contest is to rebrand the franchise based on three different name suggestions with a logo that’s a little more PC. And to have fun with it!” Not sure about 99, but normally there is a stringent creative brief, and having “fun with it” is fine as long it is on the mark!

4. 99design’s image suggestions direct the designers to try to use an American infantry soldier with a GI combat helmet, a curly R for the Renegades (go figure that one out!) and a part eagle, part lion for the Griffins…and looking at the marks submitted, I guess the designers have no idea of the rivalry with the Philadelphia Eagles. More important, there  is little consideration on what might sell, what might inspire fans, and what might offend various constituencies. Having a white man in a helmet….I don’t think so.

Washington Warriors Logo Alternative

5. If you think that a brand is created only by a logo, well, you know even less about logos than these designers know about football. The Forbes list has valued the Redskins brand at $145 M. And you can bet that lots of those zeroes come from merchandise. I simply can not see fans shelling out lots of bucks for a curlicued R.

6. So many of the comments on the 99design site ask if it is possible to play around with the colors. Lindajo asks, “So if they aren’t the ‘Redskins’ anymore, can the colors be purple and gold or orange and blue or whatever?” Obviously Lindajo has never rooted for a college or NFL team, but colors are kind of sacred. Can you imagine Ohio State changing their logo and colors to brown and orange? How about if we make the Eagles pink and purple to mix things up?! Not!

Philadelphia Eagles Logo

When design organizations, freelancers, or crowd sourcing logo sites do not follow a coherent process, they end up with third-rate work, no strategy, and a poor outcome. Brands are carefully orchestrated, and sports brands have an often irrationally fervent fan base…which is why we are in such a pickle over the name Redskins. If this was not a sports team, if it was the name of a clothing brand, I dare say the name change would have been made a long time ago.

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